THE VISION OF GOD explores the tension between spiritual vision and human intervention. The tribal figure appears to obscure the divine sight, positioning themselves as the visible focal point while covering or distorting the broader vision meant for the people. The composition suggests a struggle between belief and perception—do we follow what is shown to us, or do we seek beyond the visible? The figure’s stance, expressive hands, and bold, textured strokes reinforce the idea of mediation or obstruction, questioning whether spiritual truth is revealed or controlled by those who claim to interpret it.